In the last blog, I mentioned in passing my ongoing education in spiritual music. Although it was certainly a revelation to be told last weekend that there is no scriptural reason why I might not precent in church, there remain several very good musical (and, indeed, social) reasons why this would not work. I am in this, as in everything else, a follower and not a leader.
Of course, I was brought up in a tradition of singing Psalms. I love them for their sustaining wisdom, for their ability to speak to me in all circumstances. They have the power to heal and, just sometimes, the power to wound. If I am feeling vulnerable, Psalm 100 can tip me over into lip-trembling wobbliness, simply because it was sung at our wedding and . . . well, I’m only human.
There is, however, more to spiritual music than psalms. I have, by virtue of living in the world and having a mother who grew up in the Church of Scotland, some idea of popular hymns. Once, as a child, I surprised my mother by quoting ‘Blessed Assurance’, probably to help me win an argument.
A couple of years ago, I went to a women’s conference where, on the programme, the – to me – mysterious word ‘praise’ was printed at various intervals. I glanced about me, mildly nonplussed as to who would precent in a room full of dames.
Imagine, then, my surprise at what ensued. Musical accompaniment, and something calling itself ’10, 000 Reasons’. Not a clue. I scanned the song selection. Nope, nothing familiar here. A Christian gathering consisting only of women and no psalms, with added music. To say that I had been catapulted out of my comfort zone would not be an exaggeration.
The women thing, I realised, was just a blip. Once the Session got to hear about it, I was certain that those responsible would be punished and normal services would resume. But, my eyes – and ears – were opened to the possibility that there was another kind of music out there; that there were ways of singing your faith that didn’t have to be metrical.
My exploration of the possibilities turned up a few singers that I could get along with. There is, after all, absolutely no excuse for bad Christian music. Who has got more reason to sing than us? Like the hymn says, ‘I sing because I’m happy, I sing because I’m free’.
Yes, I’m still quoting hymns. Old habits die hard. But I am also having my musical horizons broadened.
A friend supplies me with seemingly random links to songs he likes, sometimes when I least expect. During a recent public trial by secularist hate mob, he sent Matthew West’s ‘Grace Wins’ – ‘Take a breath smile and say: Right here right now I’m ok because the cross was enough’.
The best songs will do that, just like the word in season, the shared reading: God speaks through it, reminding you who He is and that nothing will overwhelm the person who puts their whole life in His hands.
But then there was the intriguingly-titled, ‘Dear Younger Me’. This is something different because it explores what we might say if we could go back and speak to a younger version of ourselves. The dilemma, of course, is whether you would warn the young you about the pitfalls that lie ahead; whether you would try to head yourself away from dangers and bad experiences. Would you not try to spare yourself pain?
Perhaps there was a time when I would have answered that question very quickly in the affirmative. Why would you not want to spare yourself suffering? It is, after all, how we are expected to behave towards others; why would we not want to do ourselves the same kindness?
Is it a kindness, though? Yes, if you look on that span of life between cradle and grave as what concerns us most. But for the Christian, that can never be the case. The journey we are on here is towards a destination in heaven, yet we are not simply plodding, there, head down; we are being equipped for it as we go.
Not a day passes without me thinking of my late husband, and missing him in countless ways. This time of year, though, I think of how hard it was to fear losing him, to be told I would lose him, and to watch him die. And how much easier it was to know he had gone, and to Whom he had gone.
That is the difference, I think, between wanting to spare yourself burdens, and knowing what pain and loss and thoroughly unwanted providence can do for you in the longer-run.
The song says, ‘every moment brings you closer to who you were meant to be’. I know that if I could go back to Christmas 2000, to that person I used to be, I would not say, ‘See the man you met the other night, maybe don’t meet him for that drink. It doesn’t end well’.
In fact, if I was forced to meet her, 25 year-old Catriona, I would tell her two things you will also find in the song. First, I would tell her that life will bring sadness and joy, but that the deeper peace in her soul has nothing to do with either of those; and then I would tell her that whatever challenges come, she was never meant to carry them beyond the cross.
And if she asked me about the man she had just met. I would smile, and nod, and she would do it all exactly like I already have.
Other Christians I know, too, are a bit battle-scarred, and wondering the same sort of thing – trying to make sense of what they have gone through. If I had the courage, I would tell them the precious truth I have learned:
The roadmap may be hidden from my sight, but it’s hidden in God’s hand. He’s got this, dear younger me. And I would not have Him change a thing.