Cymbals, symbols . . .

The coronation service for King Charles III was exactly like a typical Free Church service. Okay, there was a bit more cloth of gold, a few extra nods to pomp and circumstance, and an awful lot more women in evidence, but otherwise it was just like being in any Wee Free emporium throughout the land.

The other way in which it was like the Free Church was the way in which sung praise ran like a golden thread through the entire proceeding. Yes, there was a choir, and what psalm 98 calls ‘jubilant song with music . . . music to the Lord with the harp, with the harp and the sound of singing, with trumpets and the blast of the ram’s horn’. It may not be the exact same tradition as ours, but really, what do mere traditions matter if the purpose behind all the clamour is the whole Earth singing to the Lord?

There was the familiar benediction, of course. Our fellows might not wave their hands about quite so much, but the words, the meaning – the intention – is surely the same. It was a service of worship, not of the newly crowned monarch, but his God. Many scoff at the sheer scale and expense of such ceremonies, but it is an unparalleled opportunity to place before the world this timely reminder: God, and he only, is sovereign. Earthly kings may rule, but by his grace alone, and not by anything in themselves, however exalted the family

God is the subject of our worship, whether we are the highest of High Anglican, or plainest of Free Church and all the offshoots thereof. The beautiful sounds that filled Westminster Abbey on Coronation Day testify to that fact. With my personal knowledge of the Lord, I’m inclined to believe that he’s more occupied with the origin of praise than the look of the thing. He’s an inside dealer, pleased – I am given to understand – by the intention of the human heart to glorify him. That being said, he’s almost certainly as pleased with Hubert Parry’s work, or Wesley’s, or Gobha na Hearadh’s as that of King David.

Yes, the psalms are extraordinarily beautiful and wise, speaking into every aspect of the human condition. It is hardly surprising that so many later works, those we consider ‘hymns’, are reworkings of, or meditations on, the work of the shepherd composer.

But David – mercifully – did not have a monopoly on praising God. All his creatures are called on to do likewise. Possessing zero musical aptitude, and almost no creative impulse, I am unlikely ever to write a hymn of praise for him myself. I can (barely) croak those composed by others, however, and depending on the content, and the state of my heart at the time, I can mean every word.

Nonetheless, some people are gifted in that way, and CAN compose beautiful hymns to God. Their words can articulate what the likes of me could never hope to do on our own. They don’t take anything away from the psalms of David; God’s glory, surely, is so great that we will never run out of praise. Indeed, the spiritually mute such as I am search in vain for ways to articulate our love, our gratitude, our imperfect recognition of all he is.

The book of psalms is not big enough. Those who love God want to say so in their own words. They want to sing the psalms, and they want to uplift their voices and their instruments in a myriad of ways to heaven.

When Lewis was blessed with spiritual revival, the people were loathe to part. They met late into the night, and they walked each other home, over and over. There were prayers, of course – ex tempore, not read – and there were readings of scripture. Psalms were sung, but so were hymns, old and new. 

If revival is the outpouring of God’s grace on an undeserving people, then their worship is surely a paean of praise to him, wherever it takes place. And if that praise was good enough on the hillsides, and by the roadsides, why would it not be deemed fit for formal worship?

What, even, is ‘formal  worship’? Please don’t write in – I actually know the answer. Organised, public worship has to follow some kind of form, even an unreasonable harridan like me sees this.

But if the structure is more important than the subject, if the formality trumps the  authenticity, it is not worship. However much we may grow attached to traditions, they are not more important than liberty of spirit; however much we may love the brethren, their preferences do not come before the free and honest worship of God.

Psalm 100 says, ‘Worship the Lord with gladness; come before him with joyful songs’. The psalmist’s vision does not prescribe the songs, but the spirit. Joy, love, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control come from there, not from blindly clinging to traditions that serve only to keep us comfortable.

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